Stranger in a Strange Land - Robert Heinlein
Dune Trilogy - Frank Herbert
Mockingbird - Walter Tevis
God Emperor Dune - Frank Herbert
The Final Programme - Micheal Moorcock
1984 - George Orwell
Galapagos Kurt Vonnegut
Someone to Watch over Me - Tricia Sullivan
The Handmaid’s Tale - Margaret Atwood
The Hitchhicker's Guide to the Galaxy - Douglas Adams
The Stainless Steel Rat - Harry Harrison
To Your Scattered Bodies Go - Philip Jose Farmer
The Man Who Fell to Earth - Walter Tevis
Wednesday, 30 October 2013
Tuesday, 22 October 2013
The Sandman
Some light reading:)
http://www.theguardian.com/culture/2013/oct/22/how-we-made-sandman-gaiman
Monday, 14 October 2013
Pictures of the floating world
Last week we talked about manga, and its origins in Ukiyo-e. Here you can find more information: http://www.ukiyoe-gallery.com/ this is an online gallery, where you can find lots of prints, and if you search carefully you can find hand carved woodblocks, is wonderful.
Here: http://www.ukiyo-e.se/ you can find more information about its history and authors.
Hope you find something interesting ;)
Tuesday, 8 October 2013
Ladies and Gentlemen We are Floating in Space
Instructions for use:
Click play on the Spiritualized video
Paste the Guardian link into a new browser page
Listen, read, enjoy
http://www.theguardian.com/film/2013/oct/08/gravity-science-astrophysicist
Monday, 7 October 2013
Which Book?
Diego asked you all to post something on a Science Fiction book that was important for or had some sort of relationship with your field of study. As someone who works in the field of Applied Linguistics I guess the futuristic novels I've read which have had the biggest link to this discipline have been A Clockwork Orange and 1984 both of which I read as a teenager (or pre-teen in the case of 1984) but neither of which are classed as pure Science Fiction.
I love the start to 1984:
"It was a bright cold day in April, and the clocks were striking thirteen. Winston Smith, his chin nuzzled into his breast in an effort to escape the vile wind, slipped quickly through the glass doors of Victory Mansion, though not quickly enough to prevent a swirl of gritty dust from entering along with him."
It was glaringly obvious to me that this was futuristic from the first sentence. When I first read this at age 11 or 12 in early 1970's Britain no clock struck thirteen, and, to my knowledge they still don't.
Later down the first page we are introduced to the Telescreen then on and beyond to other examples of Newsspeak such as blackwhite, goodsex, sexcrime and thoughtcrime to name but a few (a more exhaustive list can be found here: http://en.wikipedia.org/wiki/List_of_Newspeak_words).
The first edition of A Clockwork Orange that I read had a Glossary of Nadsat Language that Anthony Burgess had created for the story (http://soomka.com/nadsat.html) - I love the feel of some the words, - droog, horrorshow, nazz, shilarny and yarbles. Unfortunately, the glossary is no longer included in reprints which, to my mind, is a crying shame. What the publishers are thinking is anybody's guess:
I love the start to 1984:
"It was a bright cold day in April, and the clocks were striking thirteen. Winston Smith, his chin nuzzled into his breast in an effort to escape the vile wind, slipped quickly through the glass doors of Victory Mansion, though not quickly enough to prevent a swirl of gritty dust from entering along with him."
It was glaringly obvious to me that this was futuristic from the first sentence. When I first read this at age 11 or 12 in early 1970's Britain no clock struck thirteen, and, to my knowledge they still don't.
Later down the first page we are introduced to the Telescreen then on and beyond to other examples of Newsspeak such as blackwhite, goodsex, sexcrime and thoughtcrime to name but a few (a more exhaustive list can be found here: http://en.wikipedia.org/wiki/List_of_Newspeak_words).
The first edition of A Clockwork Orange that I read had a Glossary of Nadsat Language that Anthony Burgess had created for the story (http://soomka.com/nadsat.html) - I love the feel of some the words, - droog, horrorshow, nazz, shilarny and yarbles. Unfortunately, the glossary is no longer included in reprints which, to my mind, is a crying shame. What the publishers are thinking is anybody's guess:
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